Northwest Arkansas Couple Experienced the Real Come From Away

Jason (seated) and Britny (center) Yandell with their hosts in Newfoundland. (Photo courtesy of the Yandells)

Jason and Britny Yandell have been in Fayetteville for nearly 17 years. Just three years prior to their move here, 9/11 shook our country and the world. Most Americans can tell you exactly where they were when they found out what had happened, and some can recall even the most mundane details of that fateful Tuesday. Jason and Britny are no different, but their memories focus much more on a little town called Gander

Come From Away is the hit Broadway musical that tells the remarkable true story of what happened to the passengers of 38 diverted planes on 9/11. Rather than arriving at their intended destinations, 7,000 passengers were forced to land in the small town of Gander in Newfoundland, Canada. Jason and Britny were two of those passengers who were taken into the homes and the hearts of the local townspeople.

Returning home to the US from a vacation in Prague, the couple were on a Delta flight when they were rerouted. They had been in the air for seven hours when they were told they were being diverted. “No one could tell us why,” Britny remembers.

The captain came on the radio and announced they were going to land. Jason said, “I don’t think he even said where. Just we were going to land because of a national airspace emergency and that’s all he said.”

Jason said that after taxiing clear, they had to stay in the plane on the ground because there was fear that there could still be terrorists aboard planes. While on the ground, Jason said they found out what had happened.

“The captain said there was a terrorist attack and was really holding back tears – well, crying really – on the radio. And for the captain of a wide-bodied airplane, that is obviously not common, so we knew it was a big deal.”

A view of busses that transported the “come from aways” around Gander. (Photo courtesy of the Yandells)

The Yandells and their fellow passengers were kept on their plane for 18 more hours In total they had spent more than an entire day on the plane. “We got bussed out (to a neighboring town) and went to go get deodorant and toothbrushes,” Britny said. “We hadn’t brushed our teeth in 28 hours!”

At that little convenience store where they stopped for essentials, is where Jason and Britny’s story began their very own Come From Away experience.

“Judy was running the convenience store, and she immediately shut down the store,” Jason said.

Britney elaborated saying, “She made us get in her car!”

Jason went on to say, “She drove us to her house, made us feel at home and then just left us for the rest of the day in her home. She went back to open up the store and go to work.”

Originally, the Yandells had been assigned to stay in the small gymnasium that had been set up with cots. Instead, they (along with another passenger from their plane) were welcomed into Judy and Tom’s home, where they stayed for the next five days.

“They gave us their bedroom,” said Britny. “We didn’t know it at the time that we were in their room. They had been sleeping on the floor.”

The Yandell’s experience with the hospitality of the people of Newfoundland mirrors what audiences experience when watching Come From Away. One of the lines from the musical that always get audiences laughing has a clerk saying, “Thank you for shopping at Walmart. Do you want to come back to my house for a shower?” And that’s how it really happened. The locals literally opened their homes to the “plane people” and made sure they were as comfortable as possible.

“The only word that comes to mind is benevolence. The whole experience. I don’t understand how they did it, but I guess it’s just an innate behavior. It was northing they had to do, it was just what they’re used to doing.” Britny said.

“I think also, they understood the gravity of the situation – how much we were hurting because our country was under attack.” Jason added.

Another aspect of the musical that Jason and Britny got to experience firsthand was getting “screeched-in,” a fun ceremony to make those who ‘come from away’ official Newfoundlanders. They said a boat that sits on the bank in the little town was brought in to the gym for the party, where they all sat and were given shots of rum and made to kiss a cod.

The real “come from aways” experience the Screech-in ceremony (Photo courtesy of the Yandells)

“The ceremony was so much fun. We kissed the fish. We drank the rum – and it was potent!” Britny recalls laughing. “Everybody got in the boat,” Jason said. “And these are people from all over the world. It was really cool that we’re all together and bonding together, trying to make each other feel better.”

Jason and Britny could have never imagined that what they experienced in Newfoundland could one day be turned into a hit Broadway musical. In fact, Britny was taken by complete surprise when she first heard of the play’s existence on a “60 Minutes” segment.

“I was in the kitchen and was like, whoa, wait, time out. what… they’re doing a play about the experience we all shared on 9/11? Are you kidding me? So, I told Jason, we have to see this. I don’t know how we’re going to see it, but we have to.” Walton Arts Center gave Jason and Britny that opportunity.

Britny said that the musical could have been taken directly from their memories. When the question “Where were you on 9/11?” comes up, they said that they usually tell their incredible story, but there’s no way to fully make people understand how special it was. Britney says “We know the experience and I just love that more people can experience it now. Because, let me tell you, they nailed it. They really nailed every aspect.” She says of the musical.

The Yandells and the other 7,000 passengers experienced something truly incredible. Come From Away is the uplifting story of the power of the human spirit that Jason and Britny assure us is accurate. “We were there five days,” she said, “All the people that we met, all the different personalities, the stories they shared, we shared… They taught us love.”

Just like in the show, the day the planes were finally able to leave it started to rain. (Photos courtesy of the Yandells).

Five Reasons to Volunteer at WAC

We’re looking for people to join our team of dedicated volunteers! Jessica Temple, volunteer programs assistant, shares more about the program in this guest post.

There’s an age-old saying in theater: “the show must go on.” At Walton Arts Center, we say something similar about our volunteer team: the show can’t go on without them! We have a dedicated corps of volunteers that are involved in every aspect of the WAC—helping in the administrative office, box office, concessions, ushering in the hall and more. What is it about WAC that keeps this team engaged and keeps them coming back to volunteer? We asked and according to our volunteers, it’s the people, patrons, volunteers, shows and fun. We think you might agree that these are great reasons to volunteer with us too! 

Volunteers work closely with WAC staff

Volunteers at Walton Arts Center get to interact with a variety of people behind the scenes and during performances. Volunteers work alongside staff and crew at Walton Arts Center before performances to stuff and deliver programs, greet vendors, decorate, and set up for special events. At performances they provide excellent customer service to our patrons.

Volunteers are central to patron experience

For the volunteers at Walton Arts Center, the patron experience is the top priority. Volunteers are the first and last people patrons see when arriving at and departing from a performance! Our volunteers love interacting with our patrons and ensuring that they have the best possible experience. They make this a priority for patrons of all ages whether it’s helping students at education shows get to and from buses or scanning tickets for a family attending a Broadway performance. 

Volunteer relationships turn into friendships

The volunteer team is a great place to meet other service-minded individuals. Friendships are formed and socializing occurs as our volunteers work alongside each other in a supportive and creative environment.  

Volunteer perks include social activities

Volunteering isn’t all work and no play. There is an incredible sense of community that is established inside and outside of the performance hall. We host a variety of social activities like game nights, happy hours and potlucks for our volunteers! 

Volunteers are part of the show!

All of our volunteers share a common interest in support the visual and performing arts for our community. Our volunteers help us bring a variety of world class entertainment to the area and our volunteers are a vital part of that process.  

To sign up to receive more information about volunteering at WAC, create a volunteer profile by clicking below!

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Live Music and Jazz Return to WAC in 2021/22

The greatest musicians in modern history began in clubs, cabarets, restaurants and listening rooms. With the 2021/22 season return of West Street Live and the Unilever Starrlight Jazz Club, Walton Arts Center gives patrons a special opportunity to see powerfully talented jazz and singer-songwriter artists in an intimate setting.

West Street Live

West Street Live features artists displaying a variety of genres from traditional roots music to immigrant folk songs in an atmosphere reminiscent of neighborhood listening rooms and nightclubs. The setting allows patrons to connect with both the music and the musicians.

Wild Ponies

Wild Ponies

Wild Ponies

Oct. 21

Wild Ponies look to their roots in Southwest Virginia for inspiration. The result is bold Appalachian music created by a multi-cultural band whose members span several generations.

Ray Bonneville

Dec. 9

With a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion, Ray Bonneville is a hard-driving, blues-dipped, song-and-groove man writing about people on the fringe of society.

American Patchwork Quartet

Feb. 19

This group seeks to reclaim the immigrant soul of American roots music. Drawing on a repertoire of American folk songs, this group encourages audiences to discover their commonalities and bond across cultures and races.

American Patchwork Quartet

American Patchwork Quartet

Darrell Scott

March 4

Darrell Scott wrote songs recorded by more than 70 artists including The Chicks, Garth Brooks, Tim McGraw and more. Darrell Scott’s lyrics make sense of the world around us – encouraging us to consider what’s at stake and our place in it.

Rani Arbo & daisy mayhem

May 5

Combining wit, camaraderie and songs that can shake or hush the room, this American Roots string band leave audiences humming and hopeful, spirits renewed.

Unilever Starrlight Jazz Club

The Unilever Starrlight Jazz Club celebrates America’s original art form by hosting top musicians from around the world in an intimate jazz club atmosphere with cabaret-style seating options and tiered seating.

The Huntertones

Sept. 10

The Huntertones brings people together around the globe with their high energy, horn-driven sound fuses inspired improvisation and adventurous composition melding jazz, funk, rock, and soul.

Jane Bunnett and Maqueque

Oct. 22

Jane Bunnett’s band showcase the finest musical talent from Canada, the U.S. and Cuba. The group were voted as one the top ten jazz groups by the prestigious DownBeat magazine.

Samara Joy

Samara Joy

Samara Joy

Dec. 10

With a voice of velvet, Samara Joy’ star rises with each performance. At just 21 years old, Samara has performed in many of the great jazz venues in NYC and worked with legendary jazz greats.

Sullivan Fortner Trio

Feb. 18

A Grammy Award®-winning pianist, composer and band leader, Sullivan Fortner pulls distinct elements from different eras, preserving tradition while evolving the sound.

Clark Gibson Quintet

March 5

A star-studded original jazz music project featuring bandleader Clark Gibson on alto saxophone; trumpet performer, Sean Jones; trombonists Michael Dease; two-time Grammy®-nominated organist Pat Bianchi; and drummer Lewis Nash.

Subscriptions for both the West Street Live and Unilever Starrlight Jazz Series are available now by clicking the buttons above, by visiting waltonartscenter.org or by calling our box office at 479.443.5600. Single tickets for both series will go on sale later this summer.

Five Memories to Share through "My Walton Arts Center"

We recently marked our 29th anniversary at Walton Arts Center. To celebrate the milestone and in looking ahead to our 30th anniversary, we launched My Walton Arts Center, a year-long campaign to collect memories from patrons, volunteers, staff, artists and partners.

The project launches as we are gearing up for the return of Broadway shows and full-scale performances after over a year of modified operations due to the pandemic. During the performance suspension, we consistently heard from patrons and community members about how much Walton Arts Center means to them. This inspired us to capture those memories and celebrate our place in the cultural fabric of Northwest Arkansas for nearly three decades.

 We’re looking for all kinds of memories—the first show you saw at WAC, what you value most about WAC, a favorite memory attending a WAC event with family or friends, a time you got to be part of an educational experience or why you consider WAC to be your theater.

 Memories can be submitted in two ways.

Option one: call us and leave a voicemail! We’ve set up a special My Walton Arts Center voice mail box. Just call 479.571.2702 and state your name, the city you’re calling from and your memory.

Option two: visit our website. The My Walton Arts Center page on our website. Follow the instructions there to record your memory.

 Our goal is to incorporate memories from the community into our 30th anniversary celebration in 2022. By recording your memory, patrons give Walton Arts Center permission to use their voice or memory in next year’s celebration.

Five Ideas for Memories to Share

Your First Time at Walton Arts Center

WAC’s Grand Opening in 1992

WAC’s Grand Opening in 1992

We’ve been here for almost 30 years—did you see a show in our first season in 1992? Or maybe you discovered WAC when you recently moved to the area? Tell us how you found us and what the first performance you saw in our venue was!

A favorite show you’ve seen at WAC

In a normal year, we host over 500 events in the Northwest Arkansas region including Broadway, dance, classical music, VoiceJam, Artosphere and more. What is your favorite performance you’ve seen? Maybe a singer-songwriter you discovered through West Street Live, seeing touring Broadway show you’d waited years to experience, traipsing through Artosphere: Off the Grid with family or even a concert at the AMP? Tell us about it!

An Educational Experience

During a normal school year, over 26,000 students hop onto school busses to see an educational show at WAC. Did you take a field trip to WAC as a child? Maybe you’re a teacher who looks forward to bringing their students to a show—or even a parent who makes a point to be a field trip chaperone when your child is heading to WAC. Tell us what you learned from visiting WAC or why you enjoyed the educational show!

Your Performance at WAC

We want to hear from artists too! Touring performers visiting our venue often say that the Northwest Arkansas area is a hidden gem on their tour route. Have you performed at WAC before? Tell us why stopping here sticks out in your memory.

Special Events

WAC knows how to plan a party! We host special events like Art of Wine and the Masquerade Ball, but we also throw patron events too! Did you attend a gala, a private party or even a wedding at WAC? Tell us why your special night at WAC was one to remember.

Patrons enjoy Art of Wine: Uncorked! (Novo Studio)

Patrons enjoy Art of Wine: Uncorked! (Novo Studio)

2021 Artosphere Photography Contest Winners

This year Artosphere, Arkansas’ Arts + Nature Festival, returned following a year off during the COVID-19 outbreak. For the annual Artosphere photography contest, Arkansas-based photographers submitted original photos inspired by the theme “art in nature.” Adjudicator Rebecca Drolen, assistant professor of photography at the University of Arkansas, selected a grand prize winner and nominated several photos for the People’s Choice Award, which was voted on by members of the public. We are excited to announce the winners of this year’s competition!

Grand Prize Winner: Elijah Aron

“Black Vulture at Lee Creek” by Elijah Aron

“Black Vulture at Lee Creek” by Elijah Aron

Judge’s Statement: Aron’s dramatic photograph of a vulture has a dream-like quality that complicates the notion of a nature photographer as someone who simply documents.  Aron's intimate photograph inspires wonder as well as some intimidation at the beauty and closeness of these creatures.

Artist Statement: My dog Sonja and I were out in the woods testing a rare cine lens (the Schneider Xenon 50mm f0.95) when we stumbled upon this black vulture. I slowly approached it as Sonja waited nearby. I was only about 10 feet from the bird as I captured this shot before it flew to a higher position.

People’s Choice Award Winner: Jade Edster

“Frozen Bubble” by Jade Edster

“Frozen Bubble” by Jade Edster

The People’s Choice winner was chosen based on voting that took place via Walton Arts Center’s Facebook page.

Artist Statement: A picture of the way bubbles freeze in the extreme cold.

Thank you to everyone who participated in this year’s Artosphere Photography Contest. There are still several events left in this year’s Artosphere lineup, including a performance by Dover Quartet, the signature Trail Mix event, the Artosphere film series and Art Heist, a immersive true-crime theater experience! Find tickets, info and more at artospherefestival.org.

Nonprofit Partner of the Month: Arkansas Immigrant Defense

This winter Walton Arts Center launched the Nonprofit Assistance Program to provide assistance to fellow nonprofits within our community. Made possible by support from Walmart, the Nonprofit Assistance Program enables Walton Arts Center and the Walmart AMP to share resources, like space and the talents of our team, so local nonprofits can continue to pursue their missions.

We might not all serve the same people or the same causes, but we all work together to make Northwest Arkansas better.

Our team of advocates contacted local nonprofits about the resources available to them through the program, including:

  • Complimentary space for a socially distanced meeting or small private event

  • Walton Arts Center and/or the Walmart AMP as a drop-off location for collection drives

  • Consultation with staff members

  • Professional services

  • Volunteers for projects and events

The response has been amazing, not just in the requests for assistance, but in the myriad of nonprofits who continue working hard, despite current challenges, to meet the needs of our community. If you want to learn more about the Nonprofit Assistance Program please visit waltonartscenter.org/nap.

In addition to helping, we also wanted to introduce you to some of the dedicated people and organizations who are making a difference every day. So, we will be highlighting a nonprofit partner of the month. This month we want to introduce you to Arkansas Immigrant Defense (AID). Walton Arts Center provided volunteers to help pack and deliver fresh food to area immigrant and refugee families.

5 Things You Need to Know About Arkansas Immigrant Defense

Luis Paganelli Marin

Luis Paganelli Marin

Luis Paganelli Marin, COVID Coordinator for AID

1.    AID is a nonprofit law firm that provides immigration legal services to immigrants and refugees, community education and advocacy primarily in NWA.

2.    As a result of the pandemic, AID clients have experienced income loss and food insecurity due to reduced work hours. In response, AID created a fresh food assistance program in partnership with St. James Food Pantry.

3.    The program has served over 4,200 individuals since October 2020 and will continue through the end of April 2021.

4.    Volunteers meet every two weeks to pack and deliver 160 boxes full of fresh foods to the doorsteps of food-insecure immigrant and refugee families across Washington, Benton and Carroll counties.

5.    Through partnerships with UAMS and the NWA Council, AID has also helped meet the needs of clients and members of the immigrant and refugee community by providing health education and rent/utility assistance.

 

How You Can Get Involved

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What is AID’s biggest need right now?

AID clients have disproportionately suffered from the social and economic effects of the pandemic and require broad financial relief for rent, utilities and other essentials including food.

How can people get involved with AID?

People can get involved by following us on social media, sharing our posts, signing up for packing or delivery volunteer opportunities and by reaching out to AID offering your advocacy, expertise and passion.

What do you want people to know/understand about the immigrant and refugee community in Northwest Arkansas?

Like other regions in the U.S., immigrants and refugees are integral to our communities. They are your friends, neighbors, co-workers and loved ones who seek to thrive with dignity in NWA.

Learn more about the work of AID at aidarkansas.com.

Statement on Discriminatory Legislation in Arkansas

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The current Arkansas legislature has passed and continues to discuss policies that unfairly restrict rights of the LGBTQ+ community, specifically transgender Arkansans. This type of legislation does not advance the interests of all Arkansans as it harms individuals and impacts the ability of businesses and industries across the state to recruit talent and bring artists and tourists to the region.

This legislation does not reflect Walton Arts Center's core values and commitment to create inclusive spaces where everyone feels welcome to experience the performing arts. We are committed to working alongside stakeholders across the state to ensure Arkansas laws reflect an inclusive and equitable community.

Walton Arts Center’s Diversity, Equity and Inclusion Mission Statement

Walton Arts Center brings great performing artists and entertainers from around the world to Northwest Arkansas, connecting and engaging people through inspiring arts experiences. We are committed to presenting these experiences in and from an environment that is inclusive, equitable, and diverse, free from hate and violence. We embrace all races, ethnicities, and genders with compassion; we amplify authentic voices; and we exemplify curiosity about the peoples, cultures, and perspectives of our global community.

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Diversity Digest: Black History Month

Each month, Walton Arts Center’s staff Diversity, Equity and Inclusion committee distributes an employee newsletter highlighting the DEI focus for the month, recommendations on DEI resources and more. Starting this month, we’re sharing portions of that newsletter here on our blog. This month’s newsletter celebrates Black History Month.

Black History Month Must-See Movies and TV by Mallory Barker, School Services Specialist

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The weather outside is frightful and most of us are still stuck inside a la COVID, so what better way to celebrate Black History Month than with the perfect binge-worthy watch list!  Whether you want to take a look back and celebrate where we have come from, relive historic moments, relish in a good love story, or just enjoy a good Indie film, this list has got you covered! Here’s my list of must-see films and television during Black History Month. 

1.    Sylvie’s Love – When a young woman meets an aspiring saxophonist in her father’s record shop in 1950’s Harlem, their love ignites a sweeping romance that transcends changing times, geography and professional success. Streaming on Amazon Prime

2.    Queen Sugar Queen Sugar, follows the life of three siblings who move to Louisiana to claim an inheritance from their recently departed father-an 800-acre sugarcane farm. Season four begins on February 16th so you can binge the first three seasons now and catch new episodes on OWN.

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3.    Insecure-Created by and starring Issa Rae, this acclaimed HBO comedy series centers around best friends Issa and Molly as they navigate the challenges of being black women who defy all stereotypes. Streaming on HBO Max

4.    Toni Morrison, The Pieces I Am - Author Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, history, America and the human condition. Streaming on Hulu

5.    Malcolm and Marie - John David Washington and Zendaya star in this “not a love story…love story”. Washington stars as a filmmaker who returns home with his girlfriend (Zendaya) on the night of a successful movie premiere. Smoldering tensions and painful revelations push them toward a romantic reckoning.  Streaming on Netflix

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6.    One Night in Miami - On the night of Feb. 25, 1964, in Miami, Cassius Clay joins Jim Brown, Sam Cooke and Malcom X, and they discuss the responsibility of being successful black men during the civil rights movement. Streaming on Amazon

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7.    I Am Not Your Negro - This 2016 documentary film is based on James Baldwin's unfinished manuscript Remember This House. Narrated by actor Samuel L. Jackson, the film explores the history of racism in the United States through Baldwin's reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King Jr., as well as his personal observations of American history. Streaming on Hulu

8.    Ma Rainey’s Black Bottom - Tensions and temperatures rise at a Chicago music studio in 1927 when fiery, fearless blues singer Ma Rainey joins her band for a recording session. Streaming on Netflix

9.    Bridgerton - The eight close-knit siblings of the Bridgerton family look for love and happiness in London high society. Inspired by Julia Quinn’s bestselling novels. Streaming on Netflix

10.  Middle of Nowhere – When her husband is sentenced to eight years in prison, Ruby drops out of medical school in order to focus on her husband’s well-being while he’s incarcerated-leading her on a journey of self-discovery in the process.

I Was Wrong: Reflections On Growing as an Ally by Rachel Burkevich, Programming Specialist

Originally, I had intended to call out “Black Female Excellence” in this piece….

That is, until I read a blog post shared on Facebook by a playwright who I had intended to highlight no less. The post is called Full Stop: Casually Anti-Black Behaviors You Need to Quit NOW and is written by playwright Sharai Bohannon.

Her FIRST point in a list of 17 is “Don’t co-opt phrases like ‘Black Excellence,’ ‘Black Girl Magic,’ or ‘Black Boy Joy,’ or anything similar to those phrases.” Which is exactly what I was about to do.

I encourage everyone to take the time and read her entire post linked above, but basically she is saying that those phrases and accolades are not for white people to determine and give. 

That realization just reminds me The point that I would now like to make with this piece is that we are always learning. It is so important to note when we are wrong and not hide in our shame. By sharing our ignorance others can learn, and the trauma we cause can finally begin to dissipate. Admit when we’re wrong. Apologize (publically when necessary). Do not pretend that it didn’t happen. And then change the behavior.

Having said that, we should absolutely not ignore lists of “Black Excellence” or Netflix’s “Celebrating Black Voices” category - but we should notice who has made the list. Who has collected these names, movies, songs, etc. and told me they are important? 

I was wrong to assume that I had any authority to curate a list of “Black Excellence”. I apologize and I will do better. I will continue to listen, read, and use my privilege to amplify voices that are often not heard. Please read Shari’s full post. 

 

Lessons in Resiliency from the Story of Annie Easley

The best stories come from real life, and that’s the case with a show featured as part of this year’s virtual Colgate Classroom Series. Students have the opportunity to learn about an amazing Black mathematician thanks to Syracuse Stage’s Resiliency, a virtual arts education experience using the play Commanding Space: The Rise of Annie Easley and the Centaur Rocket.  

The education unit is based on the life of Annie Easley, a Black woman who worked for 34 years at the National Advisory Committee for Aeronautics, known today as NASA.

Daisha Abdillahi appears as Annie Easley in Commanding Space

Daisha Abdillahi appears as Annie Easley in Commanding Space

When Easley was hired as a computer in 1955, she was one of just four African Americans out of 2,500 employees – a true trailblazer in her field. Easley quickly realized her dream was to be on the team of mathematicians working to launch the Centaur Rocket.

During her life, she saw many incredible changes both in the workplace and in the country at large. Annie’s resiliency is a personality trait that helped her to succeed despite adversity. Her mother always told her that she could be anything she wanted to be as long as she worked at it and that instilled in her a drive and determination that led to her long and groundbreaking career.

Syracuse Stage produced a play about Easley’s life, Commanding Space: The Rise of Annie Easley and the Centaur Rocket by playwright Stephanie Leary, and took it to schools in their area.

“It brought me such joy to be able to introduce to a lot of students who don’t have access to theater to such a wonderful show about such a strong, beautiful human that really teaches them the importance of striving for something,” said MiKayla Hawkinson, stage manager for the original production of Commanding Space and community engagement and education specialists with Syracuse Stage.

MiKayla Hawkinson addresses students in one of the educational videos from Resiliency

MiKayla Hawkinson addresses students in one of the educational videos from Resiliency

Because of the impact of the stage production, Syracuse Stage wanted to find a way to take Easley’s story to a larger group of students.

Resiliency is targeted toward grades 2-8, but the lessons about the importance of resiliency taught through the lens of a Black woman mathematician in the age of Jim Crow, are applicable to all. The virtual arts experience includes clips from the original play about Easley but students also get to hear from the actor who plays Easley and the playwright and learn how their own resiliency has helped them.

Ultimately, this story about a bright, driven, resilient young woman of color gives us a personal glimpse into her life, her dreams and her challenges. And Easley’s drive and determination encourages all of us to cultivate our own resiliency tools to reach our goals.

For more information on Resiliency and other virtual educational arts experiences available to Arkansas teachers through the Colgate Classroom Series, visit our website.

Spirit of Holidaze Continues with Charitable Donations

Holidaze brought some cheer to the end of a difficult 2020 when the pop-up bar was able to safely open in Walton Arts Center’s indoor and outdoor spaces. Now, that cheer is continuing into 2021 in a tangible way with charitable donations made to local nonprofits from the bar’s proceeds.

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The Stony Bird was the signature cocktail for Holidaze, and a Secret Santa donated $10 for each one purchased. Patrons purchased 928 cocktails resulting in $9,280 raised. Fayetteville Independent Restaurant Alliance, Northwest Arkansas Equality, Peace at Home Family Shelter and Roots Festival’s Meals for Musicians will each receive $2,320. Each of these nonprofits does important work for our community.

Two of these nonprofits, Fayetteville Independent Restaurant Alliance (FIRA) and Meals for Musicians benefit employees in industries hard-hit by the pandemic. FIRA provides resources for local hospitality professionals with a focus on livable wages, healthier lifestyles and access to benefits that are not often prioritized in the industry. Roots Meals for Musicians provides meal care packages for members of the music community to help them bridge the gap during these uncertain times.

The two other nonprofits benefitting from Holidaze proceeds, NWA Equality and Peace at Home Family Shelter, focus on creating safe, inclusive spaces in our community. NWA Equality provides programming, education and advocacy to serve, connect and empower the LGBTQ+ community in Northwest Arkansas.  Peace at Home Family Shelter provides shelter, services and support to women, men, and children fleeing domestic violence in Northwest Arkansas.

In addition to funds raised from Stony Bird sales, FIRA also hosted its annual “Nog Off” eggnog competition. Participants included bartenders and mixologists from nine local restaurants, bars and breweries. Amber Hurlbut from Infusion took home the trophy, and the event raised an additional $800 for the FIRA which will be used in their efforts to provide relief to hospitality professionals

As the host location for Holidaze, Walton Arts Center’s Ghost Light Recovery Fund will receive $30,000. The Ghost Light Recovery Fund helps Walton Arts Center offset lost revenue from canceled performances, continue education and public programming, maintain facilities and support staff until full-scale performances can resume.

More than 9,400 patrons attended Holidaze during its 40-day run. Holidaze and Walton Arts Center were able to employ 22 hospitality workers and 30 event staff, and throughout the run seven artists or groups were hired to provide entertainment for patrons. Workers in these industries have been hard-hit by the COVID-19 pandemic, and this seasonal employment provided some relief for the workers and artists.

We are proud to have partnered with Holidaze for the 2020 iteration of the festive Fayetteville favorite, and even prouder of the good it will do in our community.  

Celebrate Arkansas Profiles Bret Shuford and "Charming"

Celebrate Arkansas recently chatted with Bret Shuford, who is bringing his one-man show Charming: A Tale of an American Prince to Walton Arts Center this month. This piece appeared in Celebrate’s January issue. Read on to hear the inspiration behind Shuford’s show, why he’s particularly excited to bring it to Northwest Arkansas and more. Charming: A Tale of an American Prince hits the Walton Arts Center stage for one night only on January 16. Get tickets here!

By Marisa Lytle

We always hear the tale from the princess’s point of view, but what about from the prince’s? In his one-man show, Charming: A Tale of an American Prince, Broadway actor Bret Shuford bucks tradition and presents a refreshing take on the fairy tales and musicals we all love.

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In Charming, Shuford tells the tale of one prince’s trek from the faraway kingdom of Texas to a castle in The East Village. Shuford’s quest is highlighted by the music of Stephen Sondheim, Steven Lutvak, Prince the Artist, Stephen Schwartz, Rascal Flatts, Sara Bareilles, and more, with a little Disney magic thrown in for good measure. Friendship bracelets, giants, and perhaps even a furry woodland creature help guide this prince along the way. Will he get his “happily ever after”?

According to Shuford, Charming was born out of a cabaret conference he attended at the Eugene O’Neill Theater Center in Wisconsin several years ago. For him, the show became a unique way to tell his own autobiographical story of growing up in southeast Texas and the tension he felt with his family over politics and religion, as well as his early struggles with his sexuality. Performing a one-man show like this, he says, is definitely a vulnerable experience.

“My hope with this show is that people, especially right now, will be lifted up and have some hope and see that there’s a lot that’s in there that you can pull from to live the life you want to live,” Shuford says. “You don’t need other people’s permission. The kingdom you’re looking for is within you. So, how do you become prince or princess of your own kingdom?”

With musical direction by Tracy Stark and direction by Lennie Watts, Charming, A Tale of an American Prince features Shuford, a Texas native bitten by the theater bug at a very young age who has spent the last 20 years working in New York City. He has been seen on Broadway in The Little Mermaid, Beauty and the Beast, Chitty Chitty Bang Bang, Cirque du Soleil’s Paramour, and Wicked. In addition to working as a Broadway actor, he found a passion for being a content creator, director, choreographer, producer and collaborator with other artists.

“Charming has some really great medleys that Tracy and I put together,” Shuford says. For example, “Something Better Than This” from Sweet Charity mashes up with a song from Into the Woods, and Shuford teases intriguingly that he performs a solo version of “Agony,” which in its original Broadway stage form is a humorous duet sung by two sparring brothers.

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For the past year, while Broadway has been shut down due to the COVID-19 pandemic, Shuford hasn’t been able to do any theater work and no acting work other than sending in a few audition tapes for ads and commercials. While he and his husband, Stephen Hanna, were self-isolating, someone made an offer on their New York City apartment, so the couple sold it and moved to Texas to be near Shuford’s family. He says he was very grateful to receive the call from Walton Arts Center asking him to perform Charming at the beginning of this year.

As an acting teacher, Shuford has tried to bolster his students’ morale during the pandemic by likening current events in New York City to the trouble the city faced after the terrorist attacks of 9/11. He was living and working in NYC at the time and says that although that was a really tough time for the city, they got through it, and they’re going to get through it this time, too. Additionally, the advice he gives is this: “I would say, the main thing right now is to be gentle with yourself. Don’t expect to be really on top of creating and working right now. We are grieving and mourning. You have to be gentle with yourself. But also, don’t get lost in that. Every day, try to do two or three more things that take you a step closer to who you’d like to be.”

In looking to the future, Shuford says one of his main goals is to be a dad. Professionally, his dream role would be to create something new that makes an impact and that causes people to say, “Wow, that’s that role that Bret Shuford created.”

Education Returns to WAC with Small Group and Virtual Tours

Under normal circumstances, Walton Arts Center’s Learning and Engagement teams would be welcoming busloads of students from area schools into our building for Colgate Classroom Series performances, artist talkbacks, workshops and other educational activities. While that isn’t possible right now—that hasn’t stopped our team from finding new ways of engaging with students!

Sallie Zazal shows the Teen Leadership ‘X’Perience Group the Baum Walker Hall stage

Sallie Zazal shows the Teen Leadership ‘X’Perience Group the Baum Walker Hall stage

The L&E team is now offering in-person and virtual venue tours, giving students or community groups an opportunity to learn about the various spaces in Walton Arts Center including the unique opportunity to go on-stage and backstage.

Recently, the L&E team continued WAC’s relationship with the Fayetteville Chamber of Commerce’s Teen Leadership ‘X’Perience. The program engages high school juniors and educates them about community issues while also connecting them with local businesses, nonprofits, educational institutions and public offices.

Two groups from the program’s current cohort visited WAC in early November for small, socially distant venue tours lead by Sallie Zazal, director of L&E. The students also learned about WAC’s history and place in the Fayetteville community. After the tour, they were joined by President and CEO, Peter B. Lane, in the Bradberry Rose Garden for a question and answer session. The students diligently took notes and photos for a presentation given to their larger cohort.

Peter B. Lane answers questions from students in the Bradberry Amphitheater and Rose Garden

Peter B. Lane answers questions from students in the Bradberry Amphitheater and Rose Garden

“It’s been so great to have students in the building again,” Zazal said of the tour. “Working with students is such a huge part of who we are and what we do and we didn’t realize how much we were missing that interaction until we started giving these tours again. It’s really helped us rediscover our purpose, and it’s so good to have learning happening in Walton Arts Center.”

For larger groups, the L&E team has adapted their venue tour to a virtual format. The virtual tour process was recently piloted with a local Girl Scout troop. Each troop member joined the tour from home via a Zoom meeting while L&E team members Mallory Barker, Sallie Zazal and Dr. Patricia Relph joined the meeting from various spaces in the venue, allowing for smoother transitions during the tour.

Mallory Barker took the troop through patron-facing spaces including Tyson Plaza, Walker Atrium and the General Mills Box Office. Sallie Zazal then showed off the stage in Baum Walker Hall and included educational touchpoints about the theater’s proscenium arch and fly system. Finally, Dr. Pat taught the scouts about Starr Theater’s black box layout and how it can be adapted for many kinds of performances.

The virtual tour format was successful and has been offered to all teachers that the L&E team works with on a regular basis. Any groups interested in a tour can contact Sallie Zazal at szazal@waltonartscenter.org.

Dickson Street Gift Guide

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Small businesses and nonprofits have been hit hard this year due to COVID-19. Now more than ever, it’s important to support local business. With the holiday season upon us, you can do just that while also marking friends and family off your gift list!

Walton Arts Center is a member of Dickson Street Merchants, an organization of businesses that celebrate Dickson Street as an epicenter for culture, cuisine, entertainment and the arts. We’re offering gift cards this holiday season (they’re good for five years!) and several other members of our partners in Dickson Street Merchants offer gift cards too. We’ve put together some gift ideas that will help you mark off your gift list while also supporting local.

Dinner and a Show

First up, give the gift of an arts night out! Pair a gift certificate from Walton Arts Center with a gift card to Bordinos Restaurant and Wine Bar, an upscale restaurant on Dickson Street. Your loved one can enjoy a meal before or after taking in a performance at Walton Arts Center—be it a smaller Procter & Gamble Ghost Light Programming show or a Broadway show when full-scale performances return.

A recent menu item from Bordinos (credit: Bordinos on Facebook)

A recent menu item from Bordinos (credit: Bordinos on Facebook)

With this idea, your gift will not only support local businesses but will have even more of an impact! Throughout the month of December, Bordinos will donate $10 to the Fayetteville Independent Restaurant Alliance (FIRA) for every $100 spent on gift cards. FIRA provides immediate financial relief to local hospitality professionals in need, and is also one of the beneficiaries of funds raised through The Stony Bird drink sales and Nog Off at Holidaze at Walton Arts Center.

Cheers to You

For the alcohol connoisseur in your life, pair a bottle of their favorite booze from Dickson Street Liquor with a Walton Arts Center gift certificate that can be redeemed for a Broadway cocktail class. One of our performance add-ons during full-scale programming is a series of cocktail classes where patrons learn to make craft cocktails created by local bartenders and inspired by Broadway shows! With this gift, you give a fun experience to look forward to and a bottle that will come in handy as they recreate those themed cocktails at home.

Live Music Legacy

We can’t forget live music lovers! Walton Arts Center gift certificates can also be redeemed for tickets at the Walmart AMP. Grab a gift certificate and a piece of merchandise from George’s Majestic Lounge, a iconic music venue right down the street from Walton Arts Center, for a gift that the supports live music in Northwest Arkansas. George’s also offers gift certificates that can be purchased on-site.

The Local List

Dickson Street Merchants member businesses that we confirmed as offering gift cards or gift certificates this holiday season include:

  • Walton Arts Center

  • C4 Nightclub & Lounge

  • Wasabi

  • Farrell’s

  • Marley’s Pizza

  • Bordino’s Restaurant & Wine Bar

  • Puritan Coffee & Beer

  • George’s Majestic Lounge

Other Members of Dickson Street Merchants:

  • Collier Drug Store

  • Infusion

  • Brewski’s

  • Theo’s

  • Arsaga’s at the Depot

  • Buster Belly’s Bar

  • Dickson Street Liquor

No matter where you shop this holiday season, we hope you’ll consider supporting Dickson Street Merchants and other local businesses and give a gift that also gives back!

A preview of merchandise available from George’s Majestic Lounge (courtesy of George’s)

A preview of merchandise available from George’s Majestic Lounge (courtesy of George’s)

October Saturday Cinema: Explore Themes Through New and Old Stories

Walton Arts Center and the Walmart AMP have found new ways to engage with the community in light of the ongoing pandemic. Intermission programming—small scale events that allow for safe social distancing and other health and safety precautions—has been the result. The Saturday Cinema series is one of those intermission initiatives that kicked off in September. Each weekend brings films grouped by a theme.

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On October 17, enjoy two films showcasing stories about immigrants. The matinee screening, The Sun is Also a Star, tells a contemporary love story about two strangers, Natasha and Daniel, who meet and immediately see sparks fly—but the clock is ticking as Natasha fights against her family’s impending deportation. This film explores the question of whether our lives are determined by fate or the random events of the universe.

The evening screening, Fiddler: A Miracle of Miracles, chronicles the story of Fiddler on the Roof, the timeless musical about immigrants and refugees escaping persecution in their homeland. The documentary film explores the unexpected richness of the musical’s themes and its reach across time and culture.

After a weekend of immigrant stories, WAC gets in the spirit of spooky season on October 24 with two horror films! First is High Anxiety, a comedic roast of the horror genre. Mel Brooks directs and stars in this film about a director of a psychoneurotic institute who is accused of murder by his colleagues and struggles to clear his name.

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Then, patrons have the opportunity to enjoy Alfred Hitchcock’s classic film The Birds on the big screen. This natural horror-thriller is loosely based on a 1952 story of the same name and focuses on a series of sudden and unexplained violent bird attacks. These two films will help get audiences members into the Halloween spirit for safe celebrations the following weekend.

October 31 falls on Saturday this year, which means Saturday Cinema will be all about the holiday! You can kick off the day with a screening of the cult classic Hocus Pocus. This family-friendly film stars Bette Middler, Sarah Jessica Parker and Kathy Najimy as a trio of witches who run amok in Salem, Mass,, after three children unwittingly free them.

The evening will bring back Fayetteville’s favorite Halloween tradition—a screening of The Rocky Horror Picture Show! This interactive musical film boasts the longest theatrical release of all time, having been in distribution since its release in 1975. Costumes are encouraged and patrons can bring their own approved props or purchase a prop bag at concessions.

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After the fun on Halloween, WAC is offering special screenings of Disney/Pixar’s Coco—presented in both English and Spanish in partnership with the Fayetteville Chamber of Commerce celebration of Hispanic Heritage Month and the traditional Mexican holiday the Day of the Dead. Tickets are free but must be reserved in advance.

Saturday Cinema is made possible by the Ghost Light Recovery Fund. State-approved health and safety protocols will be in place for all activities at Walton Arts Center.

Diversity Through Programming at Walton Arts Center

Guest Blog by Scott Galbraith, vice president of programming and executive producer for Walton Arts Center

Diversity has long been a hallmark of Walton Arts Center’s programming (what we put on stage), and it’s one aspect of our work that always excites me. Our mission is all about bringing great performing artists from around the world to Northwest Arkansas, and that commits us to showcasing a wide array of people, cultures and art forms.

Our 10x10 Arts Series is known throughout the industry for the diversity it represents. Just last season, 10x10 included Nobuntu, a female a capella ensemble from Zimbabwe; Tiempo Libre, a three-time Grammy®-nominated Afro-Caribbean band; Socks in the Frying Pan, a rollicking Irish folk trio; and The Nature of Forgetting, a poignant dance-theatre performance from London.  Had the season not been interrupted by the pandemic, 10x10 would also have kicked off the first U.S. tour of Punya Dance Company, a classical ensemble from Bangalore. 

Nobuntu performing on a local TV show during their visit to Northwest Arkansas.

Nobuntu performing on a local TV show during their visit to Northwest Arkansas.

But 10x10 isn’t the only series to represent artists and cultures from around the globe. Our Colgate Classroom Series, which annually serves tens of thousands of NWA students, regularly features artists from Australia, Europe and Asia. The Starrlight Jazz series recently presented ASPADA, an ensemble that explored the synchronicity between American Jazz and classical Indian music. Martha Redbone, an American blues and soul singer whose ancestry is Cherokee-Choctaw-European-African American, appeared as part of our West Street Live series. Our last P&G Broadway Series included Once On This Island, an epic love story that’s complicated by colorism in the Caribbean. The Broadway Series (pre-COVID) was also scheduled to feature The Band’s Visit, which shows how the ancient divide between Egyptians and Israelis was bridged by a shared love of music.  And we were also preparing to present America’s acclaimed transgender modern dance choreographer, Sean Dorsey Dance Company. 

But diversity in the arts doesn’t end with race, gender or ethnicity.  Rather, it leads us to explore different artistic disciplines, styles and genres. Our palate includes dance, theatre, music, puppetry, film, contemporary circus, etc.  And just within music, there are both classical and contemporary forms, jazz, gospel, roots, zydeco, klezmer – the list goes on.

Mosaix Festival, originally scheduled for Spring 2020, highlighted the arts and culture of India in Northwest Arkansas.

Mosaix Festival, originally scheduled for Spring 2020, highlighted the arts and culture of India in Northwest Arkansas.

All of which is to say, our work as programmers is never dull!  We’re constantly being exposed to artists and art forms that are unfamiliar. Our work isn’t easy, either, since we’re often making decisions outside our areas of expertise. Thankfully, we have a vast network of industry colleagues who freely share their insights, expertise and experiences. And, since we live in a community where more than 50 languages are spoken, we’re forever forging new relationships to help us understand and appreciate the cultural expressions that are meaningful to our neighbors.

Our new Mosaix Festival, which was delayed by COVID-19, was curated just that way. The focus of the first Mosaix was India, and we started two years ago listening to a group of advisors from the NWA Indian community to help inform what we would present. We are continuing to learn about the regions of South Asia from which our neighbors emigrated; the art forms, foods, and customs of those regions; and even the cultural connections they want to create for their first-generation American children.

At the end of the day, diversity at Walton Arts Center is both a goal and a way of life. Every person on this earth has roughly 99% of the same DNA and yet, too often, we allow divisions to grow based on skin color, culture or beliefs. For us, diversity is about showcasing, understanding and reveling in what makes people unique. Doing that together is what it is all about.

Vision to Reality: The History of Walton Arts Center

Billie Jo Starr and Helen Walton celebrate the Grand Opening of Walton Arts Center in 1992.

Billie Jo Starr and Helen Walton celebrate the Grand Opening of Walton Arts Center in 1992.

Walton Arts Center began because the public and private sectors in Northwest Arkansas had a vision and worked together for the good of the community. Negotiations, compromise, persistence and a shared vision ultimately yielded a facility and an organization that has enriched the cultural life of the region for nearly three decades.

In the late 1980s the Walton Family, the University of Arkansas and the city of Fayetteville each individually realized the need for a community arts facility that could accommodate major touring shows, local and regional performing acts and even corporate meetings. The University and the city formed an Interlocal Agreement and proceeded with plans for the arts center focusing on a 1,200-seat hall located on Dickson Street.

Walton Arts Center before the 2016 renovation and expansion

Walton Arts Center before the 2016 renovation and expansion

Initial funding for Walton Arts Center came from generous donations by the Walton Family Foundation, the University of Arkansas and the city of Fayetteville. Additional funds were also raised from the private sector, and Walton Arts Center was completed debt free and opened on April 26, 1992.

In November 2016, Walton Arts Center debuted an expanded facility that dramatically increased front of house and event space, production support space and administrative offices. The expansion added more than 30,000 square feet and improved the experience for both patrons and artists alike.

Today Walton Arts Center has become Arkansas’ premier arts presenter, bringing great performing artists and entertainers from around the world to the region each year. The organization has grown significantly since opening and now operates two additional facilities—Nadine Baum Studios and the Walmart AMP.

Walton Arts Center is home to two resident companies: the Symphony of Northwest Arkansas—the region’s professional symphony orchestra, and Community Creative Center—an art studio for adults and youth. Artistic affiliates include Trike Theatre (Northwest Arkansas’s professional theater company for children) and Opera Fayetteville.

Walton Arts Center believes that access to the arts is essential for all. We strive to make performing arts experiences accessible to the community through our education initiatives and diverse programming.

The 2016 renovation gave Walton Arts Center a new façade that connects the building to Dickson Street and many expanded areas including Walker Atrium.

The 2016 renovation gave Walton Arts Center a new façade that connects the building to Dickson Street and many expanded areas including Walker Atrium.

In a typical season more than 26,000 children get to see a live theater performance at Walton Arts Center each through our school partnerships and education initiatives. We also take professional artists into classrooms and schools to teach and inspire students. In partnership with the Kennedy Center, we provide arts integration training for teachers to transform how teachers teach as well as how students learn.

Every year we bring performances that are “new to Arkansas” for our audiences, ranging from touring Broadway shows and concert artists of every genre to dance and cirque companies.

Some of the most diverse and accessible productions at Walton Arts Center are part of the 10x10 Arts Series. Tickets for these performances are deeply subsidized by grants and corporate sponsors, resulting in a ticket price of merely $10. Many of these performances also offer reduced-price matinee performances for area school children.

Walton Arts Center also brings diverse and accessible programs to Northwest Arkansas as an arts programming producer. Our original festivals include Artosphere: Arkansas’ Arts and Nature Festival, Voice Jam Acapella Festival and the Mosaix Festival.

Walton Arts Center is helping to ensure that the performing arts continue to be a vital part of life in our region. We look toward the future, now positioned to respond to the needs of one of the fastest growing metropolitan areas in the country.

What to Expect at the Expanded AMP

The Walmart AMP, a Walton Arts Center venue, was recently expanded with new amenities for both patrons and artists. Patrons will be able to experience the expanded Walmart AMP in a fun, new capacity through the newly announced Saturday Cinema series and Happy Hour at the AMP. Read ahead to learn about the new spaces at the AMP that you’ll have the opportunity to preview through these events and more information about exciting backstage changes as well!

The most noticeable change is the expanded space at the top of the lawn, which includes the Choctaw Plaza, named for Choctaw Casinos & Resorts. This 12,300 square foot covered plaza space is home to an 80-foot bar and flexible seating area for concert viewing and event rentals.

Choctaw Plaza, named for Choctaw Casinos & Resorts

Choctaw Plaza, named for Choctaw Casinos & Resorts

An 80-foot bar, flexible seating, and AMP Vision screens are the highlights of Choctaw Plaza.

An 80-foot bar, flexible seating, and AMP Vision screens are the highlights of Choctaw Plaza.

Choctaw Plaza will be the primary location for Happy Hour at the AMP. The 80-foot bar and flexible seating area allows patrons to enjoy libations with their party while staying an appropriate distance from other guests (you can learn more about additional health and safety protocols here). Live music will also accompany each happy hour, with local bands performing on a stage distanced from those present.

Also at the top of the lawn are two uncovered areas flanking Choctaw Plaza featuring additional restrooms, Tyson concession stands and gathering spaces that will be used when full-scale concerts return. Below the new plaza spaces is an expanded Kraft Heinz Entrance with additional gates and shaded space which will be the entry point for Happy Hour at the AMP.

An expanded main entrance with more gates and shade for both patrons and workers will be the entry point for Saturday Cinema at the AMP. Between the Kraft Heinz Entrance and the main gate, the venue can now operate up to 12 gates at once during concert season, increasing traffic flow into and out of the venue. The main gate opens to the expanded entry plaza, which is double its original size at 19,500 square feet and includes new restrooms and a new Tyson concession stand.

The new Procter & Gamble Box Office has seven windows, up from four in the original.

The new Procter & Gamble Box Office has seven windows, up from four in the original.

Outside the main entrance is a new Procter & Gamble Box Office with seven service windows, expanded from four windows at the original box office. The original box office is still intact and located inside the venue on the main entry plaza where it will serve as an internal customer service point for seating upgrades, ticket purchases for upcoming concerts, special promotions and more.

Lighting fixtures made using cymbals were custom made by the WAC production team.

Lighting fixtures made using cymbals were custom made by the WAC production team.

The backstage area features unique art with local ties. Using a piano donated by a local music teacher, AMP production manager J.C. Schroder created three one-of-a-kind wall hangings. The instrument’s hammers are the focus of the first piece, pictured below. The other two pieces feature the piano keys and the soundboard. In this same vein, the backstage dining room also features lighting fixtures made using cymbals created by the Walton Arts Center production team.

Updated artist amenities in the backstage area include four luxury dressing rooms with private bathrooms, an artist’s green room, a shower room for tour crew and a laundry facility. The updated catering kitchen can now serve the expanded dining room that seats 80, double the original capacity. The loading dock has also been expanded to accommodate six trucks instead of four, which allows faster load in and out for tours.

These additions to the AMP will create an elevated concert experience for both patron and artist alike when full-scale concerts return. Until then, we look forward to previewing some of the new amenities with Happy Hour at the AMP and Saturday Cinema

AMP production manager J.C. Schroeder created three custom art pieces using a piano donated by a local music teacher. This piece hangs in the artist’s green room and features the instrument’s keys.

AMP production manager J.C. Schroeder created three custom art pieces using a piano donated by a local music teacher. This piece hangs in the artist’s green room and features the instrument’s keys.

Anti-Racism Resources from WAC's Diversity, Equity and Inclusion Learning Subcommittee

Conversations about race in America have escalated this summer, including within the performing arts space. Walton Arts Center is committed to diversity, equity and inclusion and to standing against racism in all forms. Recently, the WAC Board of Directors formalized a standing diversity, equity and inclusion (DEI) committee to complement the staff DEI committee that formed last year.  

The staff DEI committee takes an active role in educating committee members and staff about diversity topics to better inform WAC’s commitment to DEI on multiple levels—from staffing to programming to creating safe spaces and more. The DEI learning and resources subcommittee identifies educational materials on topics including race, for the committee to study.

Rachel Burkevich, programming specialist at WAC, leads the learning and resources subcommittee. Here, she shares five resources on race and racism that the DEI committee has studied and along with what she personally learned in each one. If you are a racial ally interested in learning more on the topics of race and racism, we recommend exploring Rachel’s picks:

Books

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So You Want to Talk About Race – Ijeoma Oluo – If you have ever been frustrated when speaking to someone about racism because you were having trouble finding the right words and/or connecting with them, then this is the book for you. In So You Want to Talk About Race, Ijeoma Oluo takes the reader through subjects ranging from intersectionality and affirmative action to "model minorities" in an attempt to make honest conversations about race and racism possible, and break down how they are a part of almost every aspect of American life. This book has been an invaluable resource to me as I conduct thoughtful conversations with family, friends and others.

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How to Be an Anti-Racist – Ibram X. Kendi – In How To Be An Anti-Racist, Ibram X. Kendi does an incredible job illustrating racism and racist behaviors by using stories from his own life growing up as a Black American where he is not always on the right side of racist behavior. Kendi explains that there is no such thing as “not racist” – one is either racist or anti-racist. “Not-racist” is a label but being anti-racist is an action and Kendi takes great care in distinguishing the two. This was an incredibly interesting read as I (a late ‘80s baby) was raised in a time when proclaiming you were “not a racist” and “didn’t see color” were considered progressive statements/ideas. This book helped to educate me on how those statements/ideas are misguided and do not serve to inspire growth and understanding.  

Articles

White Privilege: Unpacking the Invisible Knapsack – Peggy McIntosh – In this article, Peggy McIntosh writes about what privilege looks like and how racist “invisible systems” have infiltrated and shaped the way America operates. These systems are what secure power and wealth for certain groups while simultaneously locking other groups into inability and poverty. Once we can recognize these “invisible systems” and understand what makes them racist, only then will we be able to address and change them to be more equitable. Now that these “invisible systems” have been revealed to me, I am able to spot and then interrupt them.

“Father and Son,” from Ruddy Roye’s “When Living in Protest” series

“Father and Son,” from Ruddy Roye’s “When Living in Protest” series

Walking While Black – Garnette Cadogan – In this article, Garnette Cadogan beautifully illustrates what it is like to just take a walk as a Black man in America. In order to survive walking, Cadogan must be constantly aware of his posture, gaze, disposition, clothing, gait, etc. Most people do not consider how something as simple and pedestrian as walking down the street can be a completely different experience for others. I think this article resonated so deeply with me is that I am a woman who has also walked down the street before. My experiences are in no way the same, but there are enough similarities that I was able to imagine how much worse these experiences are for a Black person.

Listen

How White Parents Can Talk To Their Kids About Race – Michel Martin – Talking to children about racism can be very difficult, but it is so important for parents to take time and care to facilitate thoughtful dialogue and also be ready to address things as they come up. Martin explains that parental silence on racism has helped to perpetuate confusion and apathy in white children. As a parent of two young white children, I know how intimidating these conversations can be. I had a hard time accepting that I would not always have the exact right answer and that it was ok because I could learn with my children. Once you push through that fear of being wrong, I believe you will find that children are much more understanding and thoughtful than we give them credit for.

The Ghost Light - An Apt Metaphor for Our Recovery Fund

When in full operation, sounds of music, laughter and life resound within Walton Arts Center. But when our stages are empty, a relic of a long-standing theatrical tradition lights the space.

There’s an old superstition in the performing arts community that theaters are prone to be haunted by ghosts. For example, it is rumored that Palace Theater on Broadway is home to over 100 spirits, including that of Judy Garland!

Theater professionals take superstition seriously (like saying “break a leg” to an actor who is about to take the stage), and the idea of theater spirits is no exception. It is thought that the belief in haunted theaters is what inspired the long-standing tradition of ghost lights.

Typically, a ghost light is a bare light bulb that is left on the stage when a theater closes for the night. Legend has it that the light is left on either to give the ghosts a chance to perform or to keep them from causing mischief. Even though its origins are supernatural, the ghost light continues to serve a practical purpose in modern theaters.

Performing arts stages typically have an orchestra pit at the end of the stage. This pit can be very deep and poses a danger to anyone on the stage if they get too close to the edge. When the lights go off at the end of the day, it is especially risky to be on the stage—that’s where the ghost light comes in.

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The ghost light acts as a beacon for any person who finds themselves in a dark, empty theater. It lights the way for a safe return to the stage. During the COVID-19 pandemic, our theater is emptier than usual.

Walton Arts Center has been unable to host large-scale performances since March and our ghost light has been keeping the stage lit throughout our long intermission. We’ve also placed ghost lights in Walker Atrium, the Walmart Lobby and the Sudduth Garden Room as a reminder to our community that as Walton Arts Center faces an uncertain future, the true beacon of hope during this difficult time is you—the patron.

As we began canceling shows due to health and safety concerns surrounding COVID-19, many generous patrons chose to donate all or a portion of the cost of those tickets in lieu of a refund. As the concert season at the Walmart AMP (a Walton Art Center venue) was canceled, many members of Club AMP decided to donate the price of their membership to Walton Arts Center. These donors have become a symbolic ghost light for Walton Arts Center as their funds help us weather the storm. Their generosity inspired the Ghost Light Recovery Fund.

The loss of all large-scale performances at Walton Arts Center and the Walmart AMP until at least January 2021 has created a significant revenue shortfall for our nonprofit organization. Donations to the Ghost Light Recovery Fund will allow us to maintain our facilities, provide intermission programming (including virtual performances and educational content), retain our staff and offset lost revenue.

By donating to the Recovery Fund, you’ll help light the way for our return to the stage—just like a ghost light in a dark theater. Can you become a ghost light for Walton Arts Center?

Walton Arts Center Participates in Sprayetteville Street Art Festival

By Laura Goodwin, Vice President of Learning and Engagement

Walton Arts Center is participating in Northwest Arkansas’ newest festival, the Sprayetteville Street Art Festival. Eight festival murals by 11 artists are planned in and around the entertainment district of downtown Fayetteville on July 6-12th. The event was created by Loudy Bousman & Ranaga Farbiarz, founders of Shaman Art and owners of the American Shaman Kava Bar. A mural map is planned and available on the website: www.sprayettevillestreetart.com. Most murals are within walking or biking distance of downtown.

As an anchor arts organization, Walton Arts Center cherishes its role and history as a catalyst and incubator in Fayetteville’s emerging cultural corridor. We’re thrilled to continue our commitment to public art in partnership with Sprayetteville.

Artist Octavio Logo is creating the Walton Arts Center mural on the North wall of the Grubs building. He began painting on July 2 and will continue through the duration of the festival. His mural is called Harvesting the Winds of Change. The mural will communicate the importance of creativity in solving the challenges the world faces today. He says, “The changes we need for the present and future can only come from creative minds.” He believes that both science and art will be essential tools to change our world and lives.

Octavio’s Mural Begins to Take Shape

Octavio’s Mural Begins to Take Shape

The north wall of Grub’s Bar and Grill is a prime mural location, and we’re excited to experience how it will activate the garden space next to it. Since 1992, Walton Arts Center has been charged with managing and maintaining the property that includes Grub’s. We’re confident that Octavio’s transformation of this space will stimulate reflection, inspire enjoyment and renew interest in the cultural corridor.

The mural is inspired by William Kamkwamba, from Malawi. The film William and the Windmill documents the story of William’s commitment to change life in his village by creating a clean energy source from cast-off and repurposed materials. The documentary was Grand Jury Award winner at the 2013 SXSW Festival. There’s also a children’s picture book about William.

Octavio states that, “Harvesting the Winds of Change is saying we can change if we seek creativity and community instead selfishness and mediocrity.”

Thank you, Octavio, for bringing your work to Walton Arts Center and the Sprayetteville Street Art Festival!